Journalism ethics sites
This section contains links to major sites dedicated to media ethics and high-quality journalism, such as the Poynter Institute and the Project for Excellence in Journalism. It also has direct links to a number of major journalistic codes of ethics.
The Poynter Institute Online – “Everything you need to be a better
Online home of the Project for Excellence in Journalism
The Canadian Journalism Project’s online resource for Canadian journalism news and tools.
Canadian Association of Journalists’ principles and codes of ethics
Society of Professional Journalists Code of Ethics
Federation professionelle des journalistes du Quebec
Radio-Television News Directors Association code of ethics
How to subscribe to the SPJ Ethics listserv
The Media Wise Trust, an independent charity set up in 1993 by ‘victims of media abuse’, is supported by concerned journalists, media lawyers and politicians in the UK.
BOOK: The Elements of Journalism: What Newspeople Should Know and the Public Should Expect, by Bill Kovach and Tom Rosenstiel, New York: Crown Publishers, 2001.
In a global age, there is no master plan for advancing media freedom, writes Ward. There are only the precarious, pragmatic efforts of journalists to push the boundaries of societies that have been wary of the Western idea of press freedom. Ward explores the tensions between new and old practices by focusing on a radio talk show host in Dubai.
Around the world, dozens of organizations, from Freedom House to Reporters Without Borders, advance the ideal of a free press and a free citizenry. The ideal suggests there is one type of free press to be secured globally: the Western model of a constitutionally protected free press. What stands over and against the free press? The typical examples are the media systems found in China or Burma.
But this thinking is too simple for a global age. The attempt to develop a free press follows different pathways in different regions. New ways of combining media freedom and responsibility are evolving.
Consider the impressive development of media in the more liberal Arab states, such as Dubai. Rather than quote statistics, I will describe one journalist in Dubai who experiences daily the tensions at work as the Arab media evolve.
“Freedom” within limits
It is 10 p.m. in Dubai and I am a guest on “Nightline” – Dubai’s English-language radio talk show.
The host is James Piecowye, whose studio is in the radio station, DubaiEye, 103.8 FM, part of Arabian Radio Network. The network is one of the largest media conglomerates in the Middle East and owned by the ruling family of Dubai.
Piecowye is a Canadian who earned a doctorate in communication from the University of Montreal. He arrived in the United Arab Emirates a decade ago to teach at Zayed University, a college for Emirati women. About four years ago, he decided to try radio broadcasting after deciding that Dubai’s English radio was a “wasteland” of classic rock and pop stations.
Radio, and especially talk radio, is new to Dubai. Before 1971, there was no locally operated radio in the region. Citizens relied on the BBC, Radio America, and stations in Lebanon and Jordan. When radio was established, a Western style was often adopted.
Each night, on air, Piecowye carefully walks a tightrope between the listeners who call in and the state officials who monitor the show.
Some boundaries are clear: topics such as homosexuality, drugs, prostitution, abortion, and religion are taboo. When Dubai World announced recently it was $40 billion in debt, shocking the markets, Piecowye could not discuss the problem on his show. Even discussion of lifestyles, such as dating, is sensitive in a country that outlaws kissing in public.
Still, Piecowye manages to provide interesting discussions using officials, scholars, and professors to discuss sanitation, traffic, education, and tonight’s topic – media ethics. He finds inventive ways to discuss sensitive topics.
For example, he cannot ask callers to discuss the drug problem. But he can invite the chief of the Dubai narcotics division to discuss what the division is doing to combat drugs. In Canada, using only official comments is considered one-sided and, well, boring. In Dubai, it is a way of putting the issue into the public sphere.
Working without a net
Yet, despite these precautions, any show can be cause for worry. “Offensive” is a terribly subjective word, even in a country with strict laws. “Often, I am never really sure where the line is between offending and not offending, and who will take offensive to what,” said Piecowye.
Having grown up with CBC radio, Piecowye adds: “I attempt to bring Canadian journalism values into my show.” He takes on the role of the neutral CBC-like moderator who seeks facts and “reasoned discussion.”
But here is the kicker: Piecowye works without a tape delay. Offensive comments by guests or his callers potentially can go straight to air. Luckily, this has happened rarely.
And what happens when officials do not approve of something on Nightline?
The radio station gets a call from a well-placed person who expresses official displeasure. Such calls are taken very seriously. Violations of media laws in Dubai can be a crime, leading to jail or swift deportation out of the country.
The danger is always there: One seriously offensive broadcast and Piecowye’s decade of service to Zayed University and Dubai could be in jeopardy.
So, on this night, I and three other international ethicists engage in discussion with Piecowye about global media ethics, the theme of a conference we are attending. We talk in general terms about what global media ethics is, and how media can be made more responsible.
We are fully aware that there is no tape delay. No one wants to get Piecowye in trouble by uttering an offensive comment or by raising a taboo topic. I find myself, like Piecowye, dancing with the sheiks and their monitoring officials — at least in my imagination. I find myself rephrasing comments before they come out of my mouth. Nonetheless, our group has a lively discussion on media freedom and responsibility, without directly attacking media restrictions in Dubai.
Piecowye later recounted an on-air anecdote that captured the experience: “One night I was struggling to not say something that couldn’t be said, and I got a text message from a listener. The person wrote, ‘We know what you’re trying to say, so why don’t you just SAY it!’”
This experience of ‘saying some things but not saying everything’ defines the working conditions of many journalists in Dubai and other Arab countries. It is not full media freedom but it is not insignificant, either. It should not be dismissed as odious self-censorship. It is an important and evolving experiment that runs counter to hundreds of years of tradition.
Dubai’s “Nightline” shows that we need a nuanced understanding of how to advance media freedom globally; there is no master plan. The evolution of media freedom will depend on the country’s media laws, the culture’s tolerance of free speech, and local definitions of what is appropriate and what is offensive.
In many countries, journalists will negotiate for increasing freedom, and learn to navigate around limits. In the new “hybrid” globalized societies, such as Dubai, media freedom will take on hybrid forms.
There is no guarantee that liberalizing forces will win; and no predicting how far they will advance. There is no saying how this dance will end. But Piecowye and other journalists continue to expand the boundaries of media freedom, working pragmatically within the limits of law and society.